Folk Music in America

Folk Music in America

Authors

  • Ms. Nisha Panara

Abstract

Let us begin by considering the political and social background in which the Folk Music Revival took place in America. First of all, the political background in which this movement took place saw the birth of the American New Left. Although it has been several times opposed to the American Old Left, while the Old Left centralized its protest on the demonstrations of “unemployed and poor people” attacking the social system, the New Left centralized its main activities on “anti-bureaucratic, spontaneous and anti-authoritarian” individuals meant to dismantle hierarchical values in society and politics (Neustadter 40). Such as, one of the most important goals of the New Left was the idea of rising social consciousness through theatres, anti-war demonstrations, expositions of the absurdity of the system and “discursive rather than persuasive” music (Neustadter 49). Therefore, it is as if the need to declare something aloud has brought human beings to analyse their positions through social activism aimed to put them face to face with the outside world.

Downloads

Download data is not yet available.

References

Alperson, P. “Music, Mind and Morality: Arousing the Body Politic” Journal of Aesthetic Education, vol. 42, no.1, 2008.

Anderson, David E. “Bob Dylan: American Adam” www.pbs.org/wnet/religionandethics/week824/exclusive.html. 2005

Baez, J. And a Voice to Sing With. Simon and Schuster Paperbacks, 1987.

Castellini, M. “Sit In, Stand Up, and Sing Out!: Black Gospel Music and the Civil Rights Movement” Ph.D. Thesis, Georgia State University, 2013.

Dunlap, J. “Through the Eyes of Tom Joad: Patterns of American Idealism, Bob Dylan and the Folk Protest Movement” Popular Music and Society, vol. 29 no. 5, 549-573, 2006.

Everhart, K. “Capitan America and Thriller. How artistic expressions shape mobilization process in Social Movements” Sociology Compass vol. 8, no. 3, 268-281, 2014.

Eyerman, R. and Jamison, A. “Popular music in the 1960s” Media Culture Society vol. 17, 449- 468. 1995.

Gonczy, D. J. “The folk music movement of the 1960s: Its rise and fall” Popular Music and Society vol. 10, no. 1, 15-31, 2008.

Jager, M. Popular is not enough: The political Voice of Joan Baez Stuttgart, Verlag. 2010

Michael, S. “Woodstock: How the Media Missed the Historic Angle of the Breaking story” Journalism History, vol. 37, no. 4, 238, 2012.

Neustadter, R. “Political Generations and Protest: The Old Left and the New Left” Crit Sociol, vol. 19, no. 37, 37-54, 1992.

Rosenberg, N. “The Anthology of American Folk-Music” and Working-Class Music” Labour 42, 327-332, 1998.

Roy, W. “How Social Movements Do Culture” Political Cultural Society 23/85: p. 91. 2010.

Zollo, P. Songwriters on Song writing. Da Capo Press. 2003

Additional Files

Published

10-12-2018

How to Cite

Ms. Nisha Panara. (2018). Folk Music in America. Vidhyayana - An International Multidisciplinary Peer-Reviewed E-Journal - ISSN 2454-8596, 4(3). Retrieved from https://vidhyayanaejournal.org/journal/article/view/421
Loading...