Understanding Shakespearean Spaces
Keywords:
Shakespearean spaces, Elizabethan England, Theatrical conventions, Setting, Symbolism, Metaphor, Socio-cultural context, Globe Theatre, Performative aspectsAbstract
The ageless stories and complex characters of William Shakespeare's works have enthralled audiences across the world for ages. Understanding the settings in which Shakespeare's plays take place is essential to appreciating them. The multidimensional idea of Shakespearean locations is thoroughly investigated in this study article. This research explores how physical, social, and psychological locations interact intricately in Shakespearean tragedies. It looks at how the physical surroundings, whether they be opulent castles or modest alleys, influence how the story develops and how characters grow. It also examines the social situations in which these plays were first presented, illuminating the cultural and historical factors that shaped how locations were portrayed. Another important aspect of this approach involves psychological regions, such as characters' inner thoughts and emotional landscapes. This research explores how the interior worlds of Shakespearean characters mirror and interact with the outside world, providing levels of complexity to the storylines. This research article enriches our understanding of a few key Shakespearean plays while also highlighting their continuing importance through a careful analysis of those works. The understandings gained from this investigation of Shakespearean settings transcend time and give new angles for both academics and fans of the Bard's work. They provide a greater understanding of human nature, societal dynamics, and the craft of storytelling itself.
Downloads
References
ChungChungHo. “An Historico-Critical Reappraisal toward a Holistic Shakespearean Criticism: Rereading the Imagery-Analysis of Macbeth”. English & American Cultural Studies, 12(3), 249–274. https://doi.org/10.15839/eacs.12.3.201212.249. 2012.
Desmet, Christy. “Import/Export: Trafficking in Cross-Cultural Shakespearean Spaces.” Multicultural Shakespeare: Translation, Appropriation and Performance, 15(30), 15–26. https://doi.org/10.1515/mstap-2017-0002. 2017.
Hopkins, Lisa. “Reading Between the Sheets: Letters in Shakespearean Tragedy”. Critical Survey, 14(3). https://doi.org/10.3167/001115702782351980. 2002.
Kopans, M. J. “Lighting the Shakespearean Stage 1567-1642, and: Architect of Dreams – The Theatrical Vision of Joseph Urban” (review). Theatre Journal, 55(4), 745–747. https://doi.org/10.1353/tj.2003.0172. 2003.
Roberts, Jeanne Addison. The Shakespearean Wild: geography, genus, and Gender. University of Nebraska Press. 1994.
StudyCorgi. Settings in “Richard III” Play by Shakespeare. Retrieved from https://studycorgi.com/settings-in-richard-iii-play-by-shakespeare/ 2021.
Williams, Deannes. “Shakespearean Medievalism and the Limits of Periodization in Cymbeline.” Literature Compass, 8(6), 390–403. https://doi.org/10.1111/j.1741-4113.2011.00814.x. 2011.