A Study of Gender Discrimination in the select works of Mahesh Dattani

A Study of Gender Discrimination in the select works of Mahesh Dattani

Authors

  • Ms. Arati J. Samta

Keywords:

Segregation, Orientation Bious, Society, Internal Clashes

Abstract

Mahesh Dattani is well known Indian dramatist and director. He is knowmn for his inciting considerations relected to human connections and society. Many a period his plays have investigated tge delicate points like Social Injustice, Identity Crisis, Discrimination, Standards of te society, Social Battle etc. In the majority of the plays of Mahesh dattani he depicted the Indian Culture and its convictions on Orientation Discrimination, Complixity and chellenges looked by individuals.

Downloads

Download data is not yet available.

References

Bite, Vishwanath, ed. “Mahesh Dattani’s Thirty Days in September: A Critical Study”. Mahesh Dattani: His Stagecraft in Indian Theatre. New Delhi: Authorspress, 2013. 5-17. Print.

“Form and Content in Mahesh Dattani’s Dance Like a Man”. Indian Drama in English. Ed. Kaustav Chakraborty. New Delhi: PHI Learning Private Limited, 2011. 296-302. Print.

Kumar, Shiv. “Child Abuse and Its Psychological repercussion in Mahesg Dattani’s Thirty Days in September”. Mahesh Dattani: His Stagecraft in Indian Theatre. 393 Ed Vishwanath Bite. New Delhi: Authorspress, 2013. 72-83. Print.

Multani, Angelie. "On Mahesh Dattani's Dance Like A Man: The Politics of Production and Performance". Seagull Theatre Quarterly 11 (1996): 58-60. Print.

Sharma, Rashi. “(Re)Framing the Present through the Past: Dattani’s Synchronization of Discord in Dance Like a Man”. Mahesh Dattani: His Stagecraft in Indian Theatre. Ed Vishwanath Bite. New Delhi: Authorspress, 2013. 97-110. Print.

Sree, M.S. Raj. “Opening the Discourses on Incest and Child Sexual Abuse with Reference to Mahesh Dattani’s Thirty Days in September”. Mahesh Dattani: His Stagecraft in Indian Theatre. Ed Vishwanath Bite. New Delhi: Authorspress, 2013. 140- 52. Print.

Naik M.K. and Narayan Shyamala: Indian English Literature: 1980-2000 A Critical Study. Delhi. Pencraft International. 2001.

Eisner, Ken. ‘Dance Like a Man’. Variety. 3 November 2003. http//www.variety.com. Web.

Beasley, Chris: Gender and Sexuality: Critical Theories, Critical Thinkers. SAGE. 2005. Print

Agarwal, Beena. A Socio-psychological Analysis of Gender Identity in Tara, Mahesh Dattani’s Plays: New Horizon in Indian Theatre, Jaipur: Book Enclave, 2008.

Raina, Sita, “A Note on the Play”, Where There’s a Will in Collected Plays Mahesh Dattani, New Delhi: Penguin Books, 2000.

Additional Files

Published

10-10-2019

How to Cite

Ms. Arati J. Samta. (2019). A Study of Gender Discrimination in the select works of Mahesh Dattani. Vidhyayana - An International Multidisciplinary Peer-Reviewed E-Journal - ISSN 2454-8596, 5(2). Retrieved from http://vidhyayanaejournal.org/journal/article/view/898
Loading...